"I Dew, no rain," small, vulnerable and feel Rocío. As he prepares for the Olympics mathematics Mar del Plata, survives beatings of her companions, a forbidden love affairs and the chaotic love Tina, his mother, so young and confused as she. Spread the ruthless nineties. How to tell the marks of a changing society? How to account of liberalism that is everywhere? In Dew I turned on the television forever warns: Controversy fragments in the bar, the shrill voice of a very young Marcelo Tinelli, a speech by then President Menem botched talking of revolution intersect and productive dialogue with what we see on stage. The kitchen department, who knew better times, is the center through which pass these beings. They also show in their body the ravages of time. Veronica
Schneck choose to display small, everyday scenes. We get an idea of \u200b\u200bwho's who over the details. A realistic set makes us spectators rather than spies. The links are displayed without needing further explanation. The same author plays Tina, a young, unwed mother with a family constellation. Tina is a fighter but you are running out of strength. It's now or never should start with his life. Want to start a business and longs for his daughter a better future. Rocío knows that he has talent and should look after it. It is your most valuable possession. However, you can not protect, or outside your home, or even inside.
Rocío, played by Sofia Lewkowicz, platinum blonde is so like her mother and, as it marks the dye grown and are undeniable. Another sign of the end of an era? Claudia Auliffe Mac shines as Pauli, the bride's father's Tina. Also circulate the former, the brother and the neighbor to get married. All are intertwined and are on top. And even overlap the voices of all while eating noodles with sauce on a family dinner. The most poignant
I Rocio is in this swing. This mandate to "save" in the youngest encrypt the possibility of a better future without being able to modify at all the conditions that led to failure. Violence against the environment, Tina asks her daughter to defend but the board is childish and useless. What ensures that Rocío can break through where Tina was trapped? The environment is perceived that something is ending. I Rocío is thus a sensitive and highly political reading of a decade we know ended in tragedy.
sheet:
Work: I Rocío
Drama: Veronica Schneck
Act: Nahuel Cano, Luis Gasloli, Sofia Lewkowicz, Claudia Mac Auliffe, Marta Pomponio, Veronica Schneck, Adrian Silver
Address: Diego Echegoyen, Veronica Schneck
Web: HOST THEATRE
http://soyrocioteatro.blogspot.com
Venezuela 3340 (map )
Capital Federal - Buenos Aires - Argentina
Phone: 4931-2124 / / 1530046545 Web
: http://www.anfitrionteatro.com.ar
Admission: $ 40.00 and $ 25.00 - Saturday - 23:15 hs - Until 04/12/2010
published in Culture, Time Argentino, 28/11/2010
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