Tourist Circuit Los Olivares participated in the traditional festival presenting his proposal for rural tourism in the area.
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| 51 º Fiesta Provincial Plains |
Monday, October 25, 2010
Griffin Itrip Auto Skip Song
CIRCUIT IN THE 51 º FIESTA PROVINCIAL PLAIN
Tourist Circuit Los Olivares participated in the traditional festival presenting his proposal for rural tourism in the area.
More pictures:
Circuit appreciates the space provided by the Nativist Peña and the Municipality of Coronel Dorrego.
Tourist Circuit Los Olivares participated in the traditional festival presenting his proposal for rural tourism in the area.
How To Make An Academic Poster Template A2
Forbidden love in the skate
There were thousands of adaptations, it is true. Music and movies were made, historical or modern versions, and each contributed, with varying degrees of efficiency and art, a vision of the original. The tragic story of lovers from Verona back on stage again. It just opened in the dressing room of the Muses Julieta y Julieta, a variation on the classic Shakespeare. The playwright and director is Lorraine Romanin, also creator of Plan V, lesbian cult series that is broadcast over the Internet and has been for two seasons. As
inaugurated the movie Romeo + Juliet (1996), those with a Leo di Caprio in Hawaiian shirt and armed to the teeth courting the angelic Claire Danes showing that it could absorb each of the verses of Shakespeare to the heated atmosphere of youth gangs in Juliet and Juliet also find the counterpoint of aggression and lyricism. If history continues to urge our season so now is also understood how the violence there.
En Julieta y Julieta el espacio escénico está dispuesto en torno a una pista de skate. Dos grupos se disputan el derecho a usarla. Comparten códigos, comparten un mismo espacio físico y un mismo estado de violencia. Están las víctimas y los victimarios, abusos y provocaciones. También está “la ley” encarnada en un vigilante que, cachiporra en mano, se pasea evitando los disturbios que no puede ni se esfuerza en comprender. Y en ese marco está Julieta: adolescente díscola que sucumbe a un excesivo lirismo acorde a su edad y su predisposición anímica. Cita a Pizarnik y aspira a morir de amor.
También está Julieta: niña cuidada y bien, encerrada en su pequeño mundo rosado and claustrophobic dreams of something that does not resemble anything you have. And it seems to have it all. Juliet meets Juliet and forbidden born. The ban for the meeting of lovers is for sex. Two girls. Juliet and Juliet
proposes a world only a teenager, where there are adults who choose or provide a different perspective. Grandfather or nana only accompany the decisions of the Juliets. Unquestionably forbidden love ends triggering the tragedy. In the discovery and surprise for this reinterpretation of the classic is the great challenge that lies Juliet and Juliet.
sheet:
Dramaturgy and staging: Lorena Romanin
With: Sofia Wilhelmi, Lucila Nemeth, Maria Elena Acuña, Pedro Pena, Emiliano Figueroa, Nicolas Deppetre, Laura Espinoza, Eduardo Peralta, Agustina Barach, Martin Lavini, Fraccarolli Santiago, Rodrigo Barrena, Facundo Carmona.
musicians on stage: Luis R. Muñiz Diaz, Cecilia Campos, Moral Marina
Sets: Carina Clark
Camarín of the Muses
Mario Bravo 960 4862 0655
Thursday, 21 hs.
published in Tiempo Argentino, 25/10/2010 
There were thousands of adaptations, it is true. Music and movies were made, historical or modern versions, and each contributed, with varying degrees of efficiency and art, a vision of the original. The tragic story of lovers from Verona back on stage again. It just opened in the dressing room of the Muses Julieta y Julieta, a variation on the classic Shakespeare. The playwright and director is Lorraine Romanin, also creator of Plan V, lesbian cult series that is broadcast over the Internet and has been for two seasons. As
inaugurated the movie Romeo + Juliet (1996), those with a Leo di Caprio in Hawaiian shirt and armed to the teeth courting the angelic Claire Danes showing that it could absorb each of the verses of Shakespeare to the heated atmosphere of youth gangs in Juliet and Juliet also find the counterpoint of aggression and lyricism. If history continues to urge our season so now is also understood how the violence there.
En Julieta y Julieta el espacio escénico está dispuesto en torno a una pista de skate. Dos grupos se disputan el derecho a usarla. Comparten códigos, comparten un mismo espacio físico y un mismo estado de violencia. Están las víctimas y los victimarios, abusos y provocaciones. También está “la ley” encarnada en un vigilante que, cachiporra en mano, se pasea evitando los disturbios que no puede ni se esfuerza en comprender. Y en ese marco está Julieta: adolescente díscola que sucumbe a un excesivo lirismo acorde a su edad y su predisposición anímica. Cita a Pizarnik y aspira a morir de amor.
También está Julieta: niña cuidada y bien, encerrada en su pequeño mundo rosado and claustrophobic dreams of something that does not resemble anything you have. And it seems to have it all. Juliet meets Juliet and forbidden born. The ban for the meeting of lovers is for sex. Two girls. Juliet and Juliet
proposes a world only a teenager, where there are adults who choose or provide a different perspective. Grandfather or nana only accompany the decisions of the Juliets. Unquestionably forbidden love ends triggering the tragedy. In the discovery and surprise for this reinterpretation of the classic is the great challenge that lies Juliet and Juliet.
sheet:
Dramaturgy and staging: Lorena Romanin
With: Sofia Wilhelmi, Lucila Nemeth, Maria Elena Acuña, Pedro Pena, Emiliano Figueroa, Nicolas Deppetre, Laura Espinoza, Eduardo Peralta, Agustina Barach, Martin Lavini, Fraccarolli Santiago, Rodrigo Barrena, Facundo Carmona.
musicians on stage: Luis R. Muñiz Diaz, Cecilia Campos, Moral Marina
Sets: Carina Clark
Camarín of the Muses
Mario Bravo 960 4862 0655
Thursday, 21 hs.
published in Tiempo Argentino, 25/10/2010
How Does A Fireplace Remote Control Work
For fans of all ages
minisuperhéroes looks like a convention. In fact, these children dressed in blue and red suits are piling up in the Opera Theatre to see replacement of Spider-Man. A blockbuster for fans of all ages who had been released last year and will only be in the lineup a couple of weeks. The story of how the shy Peter Parker becomes arachnid superhero returns to the scene in the version of Leandro Panetta. Comic lovers will enjoy the many dating to the aesthetics of comics. From language-with the unmistakable record of the dubbing of the sixty-up to the projection of numerous passages of the legendary magazine. Marvel's homage to the early numbers. But the use of narrative flashbacks, sense of humor and changing the frames that change the view of the genre. Small ones, which joined the story through the film saga, will face a tight characterization of the characters as we know on the big screen: JJ Jameson, Mary Jane, uncles, Harry Osborn. Every detail is planned taking care not to disappoint the expectations of a demanding public, which seeks to confirm what we already know and love. Also, the characterization of the enemies of the hero is very well made. Dr. Octopus, Mystery, Sandman, Lizard, and others face Spiderman creativity and resources. Carlos Belloso is a perfect "Green Goblin" presented in his dual personality businessman and arch-enemy flying. The fight scenes have very good choreography, full of action and special effects. Although the land are usually more effective, either wrestlers as supervillains. Also attractive flight scenes. Spider-Man through the city jumping from building to building, scenic solved creatively. Balanced alternation between scenes of action and that advance the story keep viewers tuned ninety minutes that function. And when finally the hero kisses the girl hanging upside down in the now legendary scene, the audience erupts in cheers of approval.
sheet:
Script and direction: Leandro Panetta
With: Alicia Bell, Carlos Belloso, Brenda Gandini, Gastón Ricaud, Adolfo Sánchez, Marcelo Xicarts
Acrobats / Jugglers: Hermann Cabanas, James Castello
Conductor: Fabio Zurita OPERA
Corrientes 860 Capital Federal - Buenos Aires - Argentina
Phone: 4326-1335
Tickets from: $ 60.00 -
Friday - 20:00 pm - Saturday - 15:00 pm and 18:00 pm - Sunday - 15:00 pm and 18:00 pm
published in Tiempo Argentino, 
18/10/2010
minisuperhéroes looks like a convention. In fact, these children dressed in blue and red suits are piling up in the Opera Theatre to see replacement of Spider-Man. A blockbuster for fans of all ages who had been released last year and will only be in the lineup a couple of weeks. The story of how the shy Peter Parker becomes arachnid superhero returns to the scene in the version of Leandro Panetta. Comic lovers will enjoy the many dating to the aesthetics of comics. From language-with the unmistakable record of the dubbing of the sixty-up to the projection of numerous passages of the legendary magazine. Marvel's homage to the early numbers. But the use of narrative flashbacks, sense of humor and changing the frames that change the view of the genre. Small ones, which joined the story through the film saga, will face a tight characterization of the characters as we know on the big screen: JJ Jameson, Mary Jane, uncles, Harry Osborn. Every detail is planned taking care not to disappoint the expectations of a demanding public, which seeks to confirm what we already know and love. Also, the characterization of the enemies of the hero is very well made. Dr. Octopus, Mystery, Sandman, Lizard, and others face Spiderman creativity and resources. Carlos Belloso is a perfect "Green Goblin" presented in his dual personality businessman and arch-enemy flying. The fight scenes have very good choreography, full of action and special effects. Although the land are usually more effective, either wrestlers as supervillains. Also attractive flight scenes. Spider-Man through the city jumping from building to building, scenic solved creatively. Balanced alternation between scenes of action and that advance the story keep viewers tuned ninety minutes that function. And when finally the hero kisses the girl hanging upside down in the now legendary scene, the audience erupts in cheers of approval.
sheet:
Script and direction: Leandro Panetta
With: Alicia Bell, Carlos Belloso, Brenda Gandini, Gastón Ricaud, Adolfo Sánchez, Marcelo Xicarts
Acrobats / Jugglers: Hermann Cabanas, James Castello
Conductor: Fabio Zurita OPERA
Corrientes 860 Capital Federal - Buenos Aires - Argentina
Phone: 4326-1335
Tickets from: $ 60.00 -
Friday - 20:00 pm - Saturday - 15:00 pm and 18:00 pm - Sunday - 15:00 pm and 18:00 pm
published in Tiempo Argentino,
18/10/2010
Thursday, October 21, 2010
How To Make Jam Wedding Favors
FIESTA PROVINCIAL PLAIN
PROVINCIAL PARTY PLAIN
51st EDITION OF 16 TO 24 OCTOBER 2010 SATURDAY
Hs 07.00 16
Ride Out to the town of Creole Faro. 20.00
Hs Central Square: Return of Light Horsemen Stoves
Central Palco Inauguration: Acting
Nativist Peña. Other penalties and Groups
invited local artists and the region
Peña 22.00 Hs Night at the ranch of the Institution: Acting
AMONG FRIENDS GROUP Peña
free
Admission $ 10 and participants of the ride free entry.
SUNDAY 17
10.00 Hrs Cemetery pays tribute to missing countrymen. Amando Plazoleta 11.00 Hrs
Pia: discovery plate. 11.30
Hs Central Square: A Tribute to Mother. Palco 20.00
Central Hs: Acting
Peña Nativist and other penalties and Interpreters
Groups invited local and region MONTES
GERMAN MONDAY 18
19.30 Hrs House of Culture:
Official Inauguration Party ANGEL
Hechenleitner Presentation PATAGONES
TUESDAY 19 House of Culture: Hs 19.30
RUBEN IRIART - Talk WEDNESDAY 20
15.00 Hs Auditorium Radio AM 140 The Dorrego
Competition for pupils questions and answers primary level.
Topic: Payador Luis ACOSTA GARCIA. Life and Work
19.30 Hrs House of Culture:
Awards Ceremony of the Floral Games 2010
19.30 THURSDAY 21 Hs House of Culture: CARLOS RAUL
RISSO:! Flor de Trebol! Four Leaf: Charrua,
Menvielle, Risso and Boloqui. Illustrated talk about their lives with
verses to tell us how it came to his poetry.
FRIDAY 22
19.30 Hrs House of Culture
Jogee DANILO VEGA and "The Last Minstrel criollo" Tribute from poetry to Dn.Jose Adolfo
Gaillardou "Indio Apachaca"
22.00 Hs Rancho de la Peña :
Dinner with choice of flower Paisana
CURBELO AND DAVID JOSE Tokar
CERESANI
LUCIA VICTOR VELAZQUEZ
10.00 SATURDAY 23 Hs
Laying on Rodeo Country name: Aldo Salustri
Hs 10.30 11.00
Hoisting National Flag In addition Hs Hs 12.30
Finance .
Lunch break 14.00 Hrs Rodeo for local assemblers Surera
rump reserved to the wheel 25 and 2 to the final
A.guerrero Tropilla The rioters, the daring of E. San Roman, Ballester's friends Presentation of Oviedo and the famous
Chata Rauch and sulky spider. Presentation and stories
by CACHO ZUÑIGA
Admission: $ 20
19.00 Hrs Parade floats and carriages
Central Box:
Peña Nativist and folklore the plains of Buenos Aires.
The payadores:
CURBELLO JOSE - DAVID GUSTAVO AVELLO
Tokar - WALTER Moseguí
's performance: OMAR MORENO PALACIOS
YAMILA CAFRUNE
07.00 SUNDAY 24 Hs Railway Station Listing: Concentration of delegations
errands Jura , herds and delegations.
Hoisting National Flag 10.15 Hrs 10.30 Hrs
Riders Parade, herds, coaches and carriages. Hs 13.00
Rancho de la Peña: Lunch delegations. Awards
14.30 Hrs Gran Rodeo qualifier for JESUS \u200b\u200bMARIA (2da.Fecha)
60 RESERVED IN THREE CATEGORIES: cline, rump and vast herds
: Chimney
Cnel.Pringles the Gauchos The wandering of Toloza
Brothers Oriental Marriott
The
Lema Tigers of Santa Cruz Antonio Medanos
The Dell Yunta
Leoz Arciprete and Animation: Mario Escurdia with the collaboration of the minstrels:
David Tokar, Gustavo Avello and Walter Moseguí
Foreman Field: Martin Oviedo.
Sponsorship: Gustavo Errazquin, Esteban German Gonzalez Avendaño and Rufino
Ayzaguerre
Party Sound: Daniel Luchini
Insurance: The Insurance and Mutual Fund workers Argentine criollo
Admission: $ 40
20.00 Hs Central Box: Entertainment and performance of artists and invited clubs
Closing the 51 st edition of the Provincial Party of 2010 
Plains
PROVINCIAL PARTY PLAIN 51st EDITION OF 16 TO 24 OCTOBER 2010 SATURDAY
Hs 07.00 16
Ride Out to the town of Creole Faro. 20.00
Hs Central Square: Return of Light Horsemen Stoves
Central Palco Inauguration: Acting
Nativist Peña. Other penalties and Groups
invited local artists and the region
Peña 22.00 Hs Night at the ranch of the Institution: Acting
AMONG FRIENDS GROUP Peña
free
Admission $ 10 and participants of the ride free entry.
SUNDAY 17
10.00 Hrs Cemetery pays tribute to missing countrymen. Amando Plazoleta 11.00 Hrs
Pia: discovery plate. 11.30
Hs Central Square: A Tribute to Mother. Palco 20.00
Central Hs: Acting
Peña Nativist and other penalties and Interpreters
Groups invited local and region MONTES
GERMAN MONDAY 18
19.30 Hrs House of Culture:
Official Inauguration Party ANGEL
Hechenleitner Presentation PATAGONES
TUESDAY 19 House of Culture: Hs 19.30
RUBEN IRIART - Talk WEDNESDAY 20
15.00 Hs Auditorium Radio AM 140 The Dorrego
Competition for pupils questions and answers primary level.
Topic: Payador Luis ACOSTA GARCIA. Life and Work
19.30 Hrs House of Culture:
Awards Ceremony of the Floral Games 2010
19.30 THURSDAY 21 Hs House of Culture: CARLOS RAUL
RISSO:! Flor de Trebol! Four Leaf: Charrua,
Menvielle, Risso and Boloqui. Illustrated talk about their lives with
verses to tell us how it came to his poetry.
FRIDAY 22
19.30 Hrs House of Culture
Jogee DANILO VEGA and "The Last Minstrel criollo" Tribute from poetry to Dn.Jose Adolfo
Gaillardou "Indio Apachaca"
22.00 Hs Rancho de la Peña :
Dinner with choice of flower Paisana
CURBELO AND DAVID JOSE Tokar
CERESANI
LUCIA VICTOR VELAZQUEZ
10.00 SATURDAY 23 Hs
Laying on Rodeo Country name: Aldo Salustri
Hs 10.30 11.00
Hoisting National Flag In addition Hs Hs 12.30
Finance .
Lunch break 14.00 Hrs Rodeo for local assemblers Surera
rump reserved to the wheel 25 and 2 to the final
A.guerrero Tropilla The rioters, the daring of E. San Roman, Ballester's friends Presentation of Oviedo and the famous
Chata Rauch and sulky spider. Presentation and stories
by CACHO ZUÑIGA
Admission: $ 20
19.00 Hrs Parade floats and carriages
Central Box:
Peña Nativist and folklore the plains of Buenos Aires.
The payadores:
CURBELLO JOSE - DAVID GUSTAVO AVELLO
Tokar - WALTER Moseguí
's performance: OMAR MORENO PALACIOS
YAMILA CAFRUNE
07.00 SUNDAY 24 Hs Railway Station Listing: Concentration of delegations
errands Jura , herds and delegations.
Hoisting National Flag 10.15 Hrs 10.30 Hrs
Riders Parade, herds, coaches and carriages. Hs 13.00
Rancho de la Peña: Lunch delegations. Awards
14.30 Hrs Gran Rodeo qualifier for JESUS \u200b\u200bMARIA (2da.Fecha)
60 RESERVED IN THREE CATEGORIES: cline, rump and vast herds
: Chimney
Cnel.Pringles the Gauchos The wandering of Toloza
Brothers Oriental Marriott
The
Lema Tigers of Santa Cruz Antonio Medanos
The Dell Yunta
Leoz Arciprete and Animation: Mario Escurdia with the collaboration of the minstrels:
David Tokar, Gustavo Avello and Walter Moseguí
Foreman Field: Martin Oviedo.
Sponsorship: Gustavo Errazquin, Esteban German Gonzalez Avendaño and Rufino
Ayzaguerre
Party Sound: Daniel Luchini
Insurance: The Insurance and Mutual Fund workers Argentine criollo
Admission: $ 40
20.00 Hs Central Box: Entertainment and performance of artists and invited clubs
Closing the 51 st edition of the Provincial Party of 2010
Plains Tuesday, October 19, 2010
Wednesday, October 13, 2010
Sebaceous Cyst Home Treatment With Epsom Salts
actors sympathetic to the home theater Carlos Pacheco
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Sometimes that gets a good cause that a blockbuster would be practically impossible. Such is the case with what happened on Monday with the opening of a new edition of Teatrísimo, a schedule of theater performed in aid of the Casa del Teatro.
The audience filled the hall of Regina to see a cast headed by Norma Aleandro, Pablo Echarri y Julieta Díaz. That only time will present the view of Amy, an English text of David Hare which was never staged in our country. Although featured a stage full of details and several costume changes, placing Jorge Azurin was a semi-assembled clásico en tanto los actores, libreto en mano, daban algunos trazos de color a las líneas de sus personajes.
La opinión de Amy comienza cuando Esme, una reconocida actriz de teatro conoce a Robin, el futuro marido de su hija, apasionado realizador de televisión y cine. Este vínculo tan tirante y conflictivo se irá desarrollando con los años e irá trazando las grandezas y debilidades de ambos personajes. Norma Aleandro jugó con solvencia los vaivenes de Esme, componiendo a una completa diva en la intimidad. Gran parte de la obra consistía en los enfrentamientos verbales entre suegra y yerno, haciendo que en la lectura se explicitaran las posiciones de los personajes. Pablo Echarri buscó en la voz el ímpetu que hinted at the script. Julieta Díaz had more problems. Shortly after beginning, missed the mark totally, but he knew with good humor overcome the obstacle and continue to function. The audience was very warm with each occurrence of a new figure on the scene. However, the applause Lamaison Lydia took him as soon as he stepped on stage. A well-deserved recognition of his career. Amy's opinion also included Mariano Martinez Aldo Barbero and playing characters, not ceased to be rich side. With a logic linked to the cinema, what Martinez was close to a cammeo appearing only in the last act to play a charismatic young actor. Teatrísimo 2010 continues every Monday in October and November in Regina theater casts and directors calling other first-line texts are already true classics.
sheet:
Amy's opinion of David Hare
With Norma Aleandro, Julieta Díaz, Pablo Echarri, Lydia Lamaison, Aldo Barbero, Mariano Martinez
version Masllorens and Federico Fernando González del Pino
Costume: Renata Schussheim
Address: Jorge Azurin
Regina Theatre 1235 Santa Fe Avenue
Tuesday, October 5, 2010
Miura Noriko,kirai Readtomo 8
sure does not happen ...
After my review, a young theater director felt obliged to send the following mail. I quote verbatim:
"2 things: 1 do not come over to see show go q I run, not a good time, do not like, do not get to q do.
2 ° this is personal: You write q q I do not like is the qa I really like, you write ugly and you're ugly. "
What? 
After my review, a young theater director felt obliged to send the following mail. I quote verbatim:
"2 things: 1 do not come over to see show go q I run, not a good time, do not like, do not get to q do.
2 ° this is personal: You write q q I do not like is the qa I really like, you write ugly and you're ugly. "
What?
Non-comedogenic Liquid Or Cream Foundation
The immense power of Sesame Street paranoia
Clara is a homemaker. Her husband has disappeared without a trace. She assumes this to be a victim of terrorism and supported by his sister, he launches into a paranoid media crusade. As expected, the discourse of fear and Clara rapidly gaining fans access to the category of celebrity: tapas in magazines, on television newscasts and lunches. Briefly, this is the plot of Persuasion Erica Halvorsen Luciano Cáceres directed at the Teatro Cervantes.
The stage is attractive in its eclecticism. Nestled between the golden walls of the room Cervantes, metal monoliths arise. Also something hidden, a cozy living room decorated like in the magazines and a big bed on a platform. A screen on the forum, several cameras with tripods and on the left, slightly away from the scene, a smiling attendant will be responsible for the plans. The actors, costumes retro-Almodóvar, talk in unison closed.
hear the announcer quoting Blaise Pascal: "The art of persuasion is both to please and in convincing, since men are governed more by whim than reason. " Shortly after beginning the work we know that we shall not seek to "please" or "persuade", but rather will seek to explore ways of caprice.
Although it is commonplace to ignite like gunpowder paranoid discourse of insecurity, which also summarizes the most reactionary, xenophobic and discriminatory society and the news is nourished by the words of "victims" as the bread day. However, perception is also shown how the media provide for a "fair use" of themselves. An intangible "Handbook of fame." In this context, the program pictures Tinelli be seen as a shrewd commentary top producer of this type of "celebrities." From the direction sought to play the scenes from the externality, saturating the viewer's perception with a feverish enunciation of the theory of persuasion and void which requires both intellectual enjoyment. The use of the technology is in the same direction, imposed by saturation. The end result involves a delight in the most blunt of the planet, becoming more unlikely and interesting hypothesis weak original.
sheet:
PERSUASION Erik Halvorsen
Address: Luciano Cáceres
With: Susan Carter, Cristina Fridman, Ignacio Rodríguez de Anca
Functions: 19hs Friday and Saturday - Sunday 18:30 pm
Towns: From $ 30 .-
Teatro Cervantes - Sala Luisa Vehil (Golden Hall)
Freedom 815/4815
8808 Argentine Time Published 04/10/2010 
Clara is a homemaker. Her husband has disappeared without a trace. She assumes this to be a victim of terrorism and supported by his sister, he launches into a paranoid media crusade. As expected, the discourse of fear and Clara rapidly gaining fans access to the category of celebrity: tapas in magazines, on television newscasts and lunches. Briefly, this is the plot of Persuasion Erica Halvorsen Luciano Cáceres directed at the Teatro Cervantes.
The stage is attractive in its eclecticism. Nestled between the golden walls of the room Cervantes, metal monoliths arise. Also something hidden, a cozy living room decorated like in the magazines and a big bed on a platform. A screen on the forum, several cameras with tripods and on the left, slightly away from the scene, a smiling attendant will be responsible for the plans. The actors, costumes retro-Almodóvar, talk in unison closed.
hear the announcer quoting Blaise Pascal: "The art of persuasion is both to please and in convincing, since men are governed more by whim than reason. " Shortly after beginning the work we know that we shall not seek to "please" or "persuade", but rather will seek to explore ways of caprice.
Although it is commonplace to ignite like gunpowder paranoid discourse of insecurity, which also summarizes the most reactionary, xenophobic and discriminatory society and the news is nourished by the words of "victims" as the bread day. However, perception is also shown how the media provide for a "fair use" of themselves. An intangible "Handbook of fame." In this context, the program pictures Tinelli be seen as a shrewd commentary top producer of this type of "celebrities." From the direction sought to play the scenes from the externality, saturating the viewer's perception with a feverish enunciation of the theory of persuasion and void which requires both intellectual enjoyment. The use of the technology is in the same direction, imposed by saturation. The end result involves a delight in the most blunt of the planet, becoming more unlikely and interesting hypothesis weak original.
sheet:
PERSUASION Erik Halvorsen
Address: Luciano Cáceres
With: Susan Carter, Cristina Fridman, Ignacio Rodríguez de Anca
Functions: 19hs Friday and Saturday - Sunday 18:30 pm
Towns: From $ 30 .-
Teatro Cervantes - Sala Luisa Vehil (Golden Hall)
Freedom 815/4815
8808 Argentine Time Published 04/10/2010
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