There were thousands of adaptations, it is true. Music and movies were made, historical or modern versions, and each contributed, with varying degrees of efficiency and art, a vision of the original. The tragic story of lovers from Verona back on stage again. It just opened in the dressing room of the Muses Julieta y Julieta, a variation on the classic Shakespeare. The playwright and director is Lorraine Romanin, also creator of Plan V, lesbian cult series that is broadcast over the Internet and has been for two seasons. As
inaugurated the movie Romeo + Juliet (1996), those with a Leo di Caprio in Hawaiian shirt and armed to the teeth courting the angelic Claire Danes showing that it could absorb each of the verses of Shakespeare to the heated atmosphere of youth gangs in Juliet and Juliet also find the counterpoint of aggression and lyricism. If history continues to urge our season so now is also understood how the violence there.
En Julieta y Julieta el espacio escénico está dispuesto en torno a una pista de skate. Dos grupos se disputan el derecho a usarla. Comparten códigos, comparten un mismo espacio físico y un mismo estado de violencia. Están las víctimas y los victimarios, abusos y provocaciones. También está “la ley” encarnada en un vigilante que, cachiporra en mano, se pasea evitando los disturbios que no puede ni se esfuerza en comprender. Y en ese marco está Julieta: adolescente díscola que sucumbe a un excesivo lirismo acorde a su edad y su predisposición anímica. Cita a Pizarnik y aspira a morir de amor.
También está Julieta: niña cuidada y bien, encerrada en su pequeño mundo rosado and claustrophobic dreams of something that does not resemble anything you have. And it seems to have it all. Juliet meets Juliet and forbidden born. The ban for the meeting of lovers is for sex. Two girls. Juliet and Juliet
proposes a world only a teenager, where there are adults who choose or provide a different perspective. Grandfather or nana only accompany the decisions of the Juliets. Unquestionably forbidden love ends triggering the tragedy. In the discovery and surprise for this reinterpretation of the classic is the great challenge that lies Juliet and Juliet.
sheet:
Dramaturgy and staging: Lorena Romanin
With: Sofia Wilhelmi, Lucila Nemeth, Maria Elena Acuña, Pedro Pena, Emiliano Figueroa, Nicolas Deppetre, Laura Espinoza, Eduardo Peralta, Agustina Barach, Martin Lavini, Fraccarolli Santiago, Rodrigo Barrena, Facundo Carmona.
musicians on stage: Luis R. Muñiz Diaz, Cecilia Campos, Moral Marina
Sets: Carina Clark
Camarín of the Muses
Mario Bravo 960 4862 0655
Thursday, 21 hs.
published in Tiempo Argentino, 25/10/2010
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