Tuesday, November 30, 2010
How To Change Tail Light 02 Jetta
heartbreak Bestiary
premiered last Wednesday Komodo Dragon, a work of Cristian Morales starring Leticia Bredice. No space / Ostrich was overflowing audience. The actors and stage, his back, waiting to begin the function. A final warning. We assume that is the warning to turn off cell phones but no, we are informed that "for reasons that only she knows, Leticia Bredice will not function." The confusion is coping with the pace of the first musical box, a choreography designed by Ana Garat and Pilar Beaman. Then, as in a group analysis session, they will draw the different characters. The common thread is the clash of love. Each in their time bare his soul and expose your pain. Everyone suffers. Suffer greatly. A Salomé Vega do you play "bad", gives orders, he laughs at the pain of others and to put a patch over the eye in bastard. A Santiago Caamaño rightful voice of the "male" and Juan Pablo Panebianco up with freshness to "gay." Chachi Telesco gives the share of female fragility and delicacy. They are so established that more than characters are stereotypes. Cristian Morales does not forget any of the cliches of grief: her time crying black tears, sing sad songs and will be lost in unrequited love. Everything
surrounding Komodo Dragon is an extra attraction. The director enlisted the help of Celeste Cid for the scenery. The artist Ariel Villarreal gave his work. At the forum, are suspended some of its bugs. The costume is so sexy and suggestive of Miuki Madelaire. Chachi Telesco two songs played live by contrasting the small size of his vocal flow overwhelmed with emotion. Is accompanied by musicians and Hugo Santiago Alvarado Dellamea. However, the Komodo Dragon can not translate into theatrical terms all the glamor and talent that summons. Consulting the program hand, we note that the absences were more than those announced. Leticia Bredice not only failed but also Miuki Pagach Madelaire and Dina. How can debut a work lacking fifteen percent of its cast, including actors? Moreover, What about the Komodo Dragon, when the purpose of the show, those absences were not significant?
sheet: Komodo Dragon
With Leticia Bredice, Chachi Telesco, Miuki Madelaire, Santiago Caamaño, Juan Pablo Panebianco, Salome Vega, Nieves González, Leonardo Serio. Script and direction
general: Cristian Morales
Functions: Wednesday November and December at 21 pm (Last function: December 15).
Locations: $ 30 .- Ostrich No
Theatre -
Humboldt 1857 Palermo Hollywood - 4777-6956 published in Time
Argentine 
29/11/2010
premiered last Wednesday Komodo Dragon, a work of Cristian Morales starring Leticia Bredice. No space / Ostrich was overflowing audience. The actors and stage, his back, waiting to begin the function. A final warning. We assume that is the warning to turn off cell phones but no, we are informed that "for reasons that only she knows, Leticia Bredice will not function." The confusion is coping with the pace of the first musical box, a choreography designed by Ana Garat and Pilar Beaman. Then, as in a group analysis session, they will draw the different characters. The common thread is the clash of love. Each in their time bare his soul and expose your pain. Everyone suffers. Suffer greatly. A Salomé Vega do you play "bad", gives orders, he laughs at the pain of others and to put a patch over the eye in bastard. A Santiago Caamaño rightful voice of the "male" and Juan Pablo Panebianco up with freshness to "gay." Chachi Telesco gives the share of female fragility and delicacy. They are so established that more than characters are stereotypes. Cristian Morales does not forget any of the cliches of grief: her time crying black tears, sing sad songs and will be lost in unrequited love. Everything
surrounding Komodo Dragon is an extra attraction. The director enlisted the help of Celeste Cid for the scenery. The artist Ariel Villarreal gave his work. At the forum, are suspended some of its bugs. The costume is so sexy and suggestive of Miuki Madelaire. Chachi Telesco two songs played live by contrasting the small size of his vocal flow overwhelmed with emotion. Is accompanied by musicians and Hugo Santiago Alvarado Dellamea. However, the Komodo Dragon can not translate into theatrical terms all the glamor and talent that summons. Consulting the program hand, we note that the absences were more than those announced. Leticia Bredice not only failed but also Miuki Pagach Madelaire and Dina. How can debut a work lacking fifteen percent of its cast, including actors? Moreover, What about the Komodo Dragon, when the purpose of the show, those absences were not significant?
sheet: Komodo Dragon
With Leticia Bredice, Chachi Telesco, Miuki Madelaire, Santiago Caamaño, Juan Pablo Panebianco, Salome Vega, Nieves González, Leonardo Serio. Script and direction
general: Cristian Morales
Functions: Wednesday November and December at 21 pm (Last function: December 15).
Locations: $ 30 .- Ostrich No
Theatre -
Humboldt 1857 Palermo Hollywood - 4777-6956 published in Time
Argentine
Heather Harmon's Friend Brooke?
The nineties in the privacy
"I Dew, no rain," small, vulnerable and feel Rocío. As he prepares for the Olympics mathematics Mar del Plata, survives beatings of her companions, a forbidden love affairs and the chaotic love Tina, his mother, so young and confused as she. Spread the ruthless nineties. How to tell the marks of a changing society? How to account of liberalism that is everywhere? In Dew I turned on the television forever warns: Controversy fragments in the bar, the shrill voice of a very young Marcelo Tinelli, a speech by then President Menem botched talking of revolution intersect and productive dialogue with what we see on stage. The kitchen department, who knew better times, is the center through which pass these beings. They also show in their body the ravages of time. Veronica
Schneck choose to display small, everyday scenes. We get an idea of \u200b\u200bwho's who over the details. A realistic set makes us spectators rather than spies. The links are displayed without needing further explanation. The same author plays Tina, a young, unwed mother with a family constellation. Tina is a fighter but you are running out of strength. It's now or never should start with his life. Want to start a business and longs for his daughter a better future. Rocío knows that he has talent and should look after it. It is your most valuable possession. However, you can not protect, or outside your home, or even inside.
Rocío, played by Sofia Lewkowicz, platinum blonde is so like her mother and, as it marks the dye grown and are undeniable. Another sign of the end of an era? Claudia Auliffe Mac shines as Pauli, the bride's father's Tina. Also circulate the former, the brother and the neighbor to get married. All are intertwined and are on top. And even overlap the voices of all while eating noodles with sauce on a family dinner. The most poignant
I Rocio is in this swing. This mandate to "save" in the youngest encrypt the possibility of a better future without being able to modify at all the conditions that led to failure. Violence against the environment, Tina asks her daughter to defend but the board is childish and useless. What ensures that Rocío can break through where Tina was trapped? The environment is perceived that something is ending. I Rocío is thus a sensitive and highly political reading of a decade we know ended in tragedy.
sheet:
Work: I Rocío
Drama: Veronica Schneck
Act: Nahuel Cano, Luis Gasloli, Sofia Lewkowicz, Claudia Mac Auliffe, Marta Pomponio, Veronica Schneck, Adrian Silver
Address: Diego Echegoyen, Veronica Schneck
Web: HOST THEATRE
http://soyrocioteatro.blogspot.com
Venezuela 3340 (map )
Capital Federal - Buenos Aires - Argentina
Phone: 4931-2124 / / 1530046545 Web
: http://www.anfitrionteatro.com.ar
Admission: $ 40.00 and $ 25.00 - Saturday - 23:15 hs - Until 04/12/2010
published in Culture, Time Argentino, 28/11/2010 
"I Dew, no rain," small, vulnerable and feel Rocío. As he prepares for the Olympics mathematics Mar del Plata, survives beatings of her companions, a forbidden love affairs and the chaotic love Tina, his mother, so young and confused as she. Spread the ruthless nineties. How to tell the marks of a changing society? How to account of liberalism that is everywhere? In Dew I turned on the television forever warns: Controversy fragments in the bar, the shrill voice of a very young Marcelo Tinelli, a speech by then President Menem botched talking of revolution intersect and productive dialogue with what we see on stage. The kitchen department, who knew better times, is the center through which pass these beings. They also show in their body the ravages of time. Veronica
Schneck choose to display small, everyday scenes. We get an idea of \u200b\u200bwho's who over the details. A realistic set makes us spectators rather than spies. The links are displayed without needing further explanation. The same author plays Tina, a young, unwed mother with a family constellation. Tina is a fighter but you are running out of strength. It's now or never should start with his life. Want to start a business and longs for his daughter a better future. Rocío knows that he has talent and should look after it. It is your most valuable possession. However, you can not protect, or outside your home, or even inside.
Rocío, played by Sofia Lewkowicz, platinum blonde is so like her mother and, as it marks the dye grown and are undeniable. Another sign of the end of an era? Claudia Auliffe Mac shines as Pauli, the bride's father's Tina. Also circulate the former, the brother and the neighbor to get married. All are intertwined and are on top. And even overlap the voices of all while eating noodles with sauce on a family dinner. The most poignant
I Rocio is in this swing. This mandate to "save" in the youngest encrypt the possibility of a better future without being able to modify at all the conditions that led to failure. Violence against the environment, Tina asks her daughter to defend but the board is childish and useless. What ensures that Rocío can break through where Tina was trapped? The environment is perceived that something is ending. I Rocío is thus a sensitive and highly political reading of a decade we know ended in tragedy.
sheet:
Work: I Rocío
Drama: Veronica Schneck
Act: Nahuel Cano, Luis Gasloli, Sofia Lewkowicz, Claudia Mac Auliffe, Marta Pomponio, Veronica Schneck, Adrian Silver
Address: Diego Echegoyen, Veronica Schneck
Web: HOST THEATRE
http://soyrocioteatro.blogspot.com
Venezuela 3340 (map )
Capital Federal - Buenos Aires - Argentina
Phone: 4931-2124 / / 1530046545 Web
: http://www.anfitrionteatro.com.ar
Admission: $ 40.00 and $ 25.00 - Saturday - 23:15 hs - Until 04/12/2010
published in Culture, Time Argentino, 28/11/2010
Friday, November 26, 2010
What To Expect In A Brazilianbaboon Wax
MANUELITA Field Day in Barrow
During Day Field Day organized annually by INTA Barrow Tres Arroyos held on Thursday 25 November 2010, we conducted a sample rural tourism group Rural Change in the area of \u200b\u200binfluence of the Experimental Farm of Barrow. Also participated
Circuit Los Olivares, represented by Angela Martinez, Silvia Balda and Irma Jensen.
space was established contact with other groups in the area, sharing experiences among providers of similar services and presentation of proposals for each one among them and to the audience.
Images of the Day:
During Day Field Day organized annually by INTA Barrow Tres Arroyos held on Thursday 25 November 2010, we conducted a sample rural tourism group Rural Change in the area of \u200b\u200binfluence of the Experimental Farm of Barrow. Also participated Circuit Los Olivares, represented by Angela Martinez, Silvia Balda and Irma Jensen.
space was established contact with other groups in the area, sharing experiences among providers of similar services and presentation of proposals for each one among them and to the audience.
Images of the Day:
8 Inch Beveled Mirror Tiles
1st Regional Meeting on Rural Tourism INTA
Exchange of experience and training
was performed on days 19 and 20 November 2010 in Gardey, province of Buenos Aires. The meeting brought
to rural tourism groups which operate under the Program in Rural Tourism Rural Change, within the area of \u200b\u200bBuenos Aires South Regional Center.
It hosted the event, setting the Ota, a member of the host group, Highland Experiences.
Circuit Los Olivares was present, through the participation of Mariel and Carlos Macias, accompanied by the promoter-adviser to the group, Maria Elvira Ochoa.
Pictures of the meeting:
Exchange of experience and training
was performed on days 19 and 20 November 2010 in Gardey, province of Buenos Aires. The meeting brought
to rural tourism groups which operate under the Program in Rural Tourism Rural Change, within the area of \u200b\u200bBuenos Aires South Regional Center.
It hosted the event, setting the Ota, a member of the host group, Highland Experiences.
Circuit Los Olivares was present, through the participation of Mariel and Carlos Macias, accompanied by the promoter-adviser to the group, Maria Elvira Ochoa.
Pictures of the meeting:
Lung Damage, Copd, Structure
Visit VILLA THE REGION
In the month of November, the circuit held its meeting at the Villa La Comarca, olive Nursery Plantation Model and olive trees, which joins the group to integrate tourism proposal.
In the month of November, the circuit held its meeting at the Villa La Comarca, olive Nursery Plantation Model and olive trees, which joins the group to integrate tourism proposal. views were exchanged and set guidelines for group functioning.
Progress in the design and projection of future activities with new members: in addition to the Shire, in addition to the Circuit Los Olivares: Villa Rumaroli, planting olive trees and model olive oil mill ; Stilo Mirna, hostel on the beach and organizing events, Llinares Tourism, travel agency, The Alembic Sauceño, brewery, establishment of Manuelita Argenlab, Almibus photography, tranportation service.
Progress in the design and projection of future activities with new members: in addition to the Shire, in addition to the Circuit Los Olivares: Villa Rumaroli, planting olive trees and model olive oil mill ; Stilo Mirna, hostel on the beach and organizing events, Llinares Tourism, travel agency, The Alembic Sauceño, brewery, establishment of Manuelita Argenlab, Almibus photography, tranportation service. 
In this way, power supply, allowing multiple activities complement each other, as well as a comprehensive global circuit.
On a rainy afternoon, served as host Ricardo Di Canto, member of the Company, who guided the group through the facility tells the story of the place and entrepreneurship, plantation and nursery operation.
Finally Marta, in charge of maintenance of the nursery, gave specific details of the characteristics and care required by these crops.
View photos of the visit:
 |
| Finca La Comarca |
MODEL and NURSERY PLANTING OLIVE
The largest olive tree nursery in the region.
The largest olive tree nursery in the region.
has 22 hectares planted with over 8,500 olive trees. Implementation of comprehensive system of drip irrigation.
The nursery, by agreement with "Nursery Studio" (R), San Martín, Mendoza, carries on its premises the ringing of seedlings with the same procedures and source materials. Ensuring quality and plant health.
covers 1,000 m2 covered, with about 60,000 plants in breeding, developing 8 varieties of olive trees.
covers 1,000 m2 covered, with about 60,000 plants in breeding, developing 8 varieties of olive trees.
Location: Ruta Provincial n º 72, 1.5 km from its junction with National Route 3.
More information:
More information:
Thursday, November 25, 2010
Ho Can You Tell When You Are Pregnant
The present: an enclosed space, rear and claustrophobic. A mother suffering from very advanced cancer are desperate for the future of Nina, her autistic daughter. La Lopez, a resident of a lifetime, is the only link with the outside and "intellectual author" of plans to locate Nina to ideas that are so outlandish as sinister.
This plot devised by Diego Manso would be unbearable if not for the disruptive share of black humor that runs. The neighbors chat with a record search in the neighborhood costumbrismo certain lyrical inflections. Where everything takes place in a calm comes the tragedy and is imposed without delay. Babbling nonsense, decide to marry the girl with "someone like her" and go Andresito played by Julian Vilar, "the Monguito" as known in the neighborhood. Nina, unwieldy and fragile mask Sancerni María Inés, is driven to various destinations one worse than the other. The scene where the kids know is paradigmatic of humor and cruelty of How to be together.
Past: the shared history of militancy, violence and exile that went through these lives and left truncated, sick, speechless. Requires a secret gratitude and reproaches saved the lives of a family and immortalized a love triangle. Like being together sometimes works as a question, can we ever live together? Other times it is a comparison and sinks. Like being together, directed by Luciano Suardi, has a very even list where each player contributes his own: Silvia Baylé is a fully tucked and gossipy neighbors, can be light and become cruelly unforgiving. Marta Lubos makes her presence and involvement to this desperate mother but that is not afraid pulse. Also displayed neighbors, played by Matins of Marco and Ivan Moschner.
The future: there is no chance in the closed world of adult patients, blinded by hatred, loneliness and lapsed in their youth dazed, weakened, and punished by the impossibility of their elders. Like being together imposes cruel gaze of adults and severs all hope in the future. Things work out the hard way possible. Is there a future in How to be together? Manso Diego says no, that the future was.
sheet: How to be together
Written by Diego Manso
Address: Luciano Suardi
With: Silvia Baylé, Matins De Marco, Marta Lubos, Ivan Moschner, María Inés and Julian Sancerni Vilar
Functions: Friday at 23:15
Locations: $ 40 .- Retirees and college students: $ 25 .-
The shrine of the Muses - Mario Bravo 960 / 4862-0655
http://www.elcamarindelasmusas.com/
published in Tiempo Argentino 22 / 11/2010
How To Congratulate To Someone If He Has A Baby?
fragility fragments heartbreak
How do I return to these songs that rocked with passion to millions of couples with the sweet voice of Maria Martha Serra Lima and the trio Los Panchos, who had many versions and different interpretations of Snowball Luis Miguel, Vicente Eydie Gorme , which printed words and music to love for generations? Tear This Heart is a musical created by Chico Novarro and Betty Gambartes. It premiered in 1991 and immediately became a success. With an unbeatable own repertoire and many other romantic themes, Chico Novarro envisioned this show as a musical of love, accompanied first by Andrea Tenuta and then by Silvana Di Lorenzo. Tear This Heart Out Now returns to the stage of The National Darthés Juan's hand and Cecilia Milone.
training as a keyboard, drums and bass accompanying the performers on stage. Evoked climate is closer to the cafe concert that the deployment of Music: I stripped the stage, the settlement of the issues and even the obligatory jokes games. Moreover, the actors are well known, the note is complicit in the scene and comfortable working together. Arráncame
life has three different thematic blocks. The first is linked to heartbreak. The second is a tribute to the music "Caribbean" with more rhythm and dance. The third table looks at all issues is known and when the show is at its best. The public knows all the letters and eager to participate. Darthés sighs when a shirtless and admired the beauty stylized Milone.
However, what prevails is a spirit of parody: it is looking for a double sense of comic effect or interpretation leading to emotional climax. Does the implicit ideal of love letters and can not be taken so seriously? Despite being much loved and popular songs refer to a man and a woman were in the past that no longer exist as imaginary, but as a stereotype. The same performers break the laughter plausible when the wins and have enjoyed those moments the audience. Can I return to these issues without falling into parody? Are these tough times for love?
sheet:
Author: Betty Gambartes, Chico Novarro
Cast: John Darthes, Cecilia Milone
Press: Alejandro Veroutis
Musical Arrangements: Daniel Garcia
Artistic Production: Marita Guercio
Executive Producer: Pat
Guercio Convertible General Production Marita Guercio
Staging: Paul Novak
Conductor: Daniel Garcia
Direction: Chico Novarro
THE NATIONAL THEATRE
Corrientes 968 Capital Federal - Buenos Aires - Argentina
Phone: 4326-4218 Web
: http://www.romayproducciones.com/teatroelnacional/
Tickets from: $ 80.00 - Friday, Saturday and Sunday - 21:00 pm - Until 28/11/2010
Argentine Time posted 15/11/2010 
How do I return to these songs that rocked with passion to millions of couples with the sweet voice of Maria Martha Serra Lima and the trio Los Panchos, who had many versions and different interpretations of Snowball Luis Miguel, Vicente Eydie Gorme , which printed words and music to love for generations? Tear This Heart is a musical created by Chico Novarro and Betty Gambartes. It premiered in 1991 and immediately became a success. With an unbeatable own repertoire and many other romantic themes, Chico Novarro envisioned this show as a musical of love, accompanied first by Andrea Tenuta and then by Silvana Di Lorenzo. Tear This Heart Out Now returns to the stage of The National Darthés Juan's hand and Cecilia Milone.
training as a keyboard, drums and bass accompanying the performers on stage. Evoked climate is closer to the cafe concert that the deployment of Music: I stripped the stage, the settlement of the issues and even the obligatory jokes games. Moreover, the actors are well known, the note is complicit in the scene and comfortable working together. Arráncame
life has three different thematic blocks. The first is linked to heartbreak. The second is a tribute to the music "Caribbean" with more rhythm and dance. The third table looks at all issues is known and when the show is at its best. The public knows all the letters and eager to participate. Darthés sighs when a shirtless and admired the beauty stylized Milone.
However, what prevails is a spirit of parody: it is looking for a double sense of comic effect or interpretation leading to emotional climax. Does the implicit ideal of love letters and can not be taken so seriously? Despite being much loved and popular songs refer to a man and a woman were in the past that no longer exist as imaginary, but as a stereotype. The same performers break the laughter plausible when the wins and have enjoyed those moments the audience. Can I return to these issues without falling into parody? Are these tough times for love?
sheet:
Author: Betty Gambartes, Chico Novarro
Cast: John Darthes, Cecilia Milone
Press: Alejandro Veroutis
Musical Arrangements: Daniel Garcia
Artistic Production: Marita Guercio
Executive Producer: Pat
Guercio Convertible General Production Marita Guercio
Staging: Paul Novak
Conductor: Daniel Garcia
Direction: Chico Novarro
THE NATIONAL THEATRE
Corrientes 968 Capital Federal - Buenos Aires - Argentina
Phone: 4326-4218 Web
: http://www.romayproducciones.com/teatroelnacional/
Tickets from: $ 80.00 - Friday, Saturday and Sunday - 21:00 pm - Until 28/11/2010
Argentine Time posted 15/11/2010
Thursday, November 4, 2010
Hospital Gifts For Stroke Patient
Bearing the unmistakable imprint of Spregelburd
What we expect to find in a work of Rafael Spregelburd? The intricate plot, the virtuoso approach to complex issues, a solvent cast actors. Laugh by the petty battles of his characters and by the end, maybe they withstood a blow stoically, price to pay for allowing us to identify with the protagonists. Everything was just released, says the Company Patron Vazquez, a work very pompous and very simple. " Written especially for the Festival Digging deep and getting dirty on the occasion of the twentieth anniversary of the fall of the Wall, Everything is presented in Berlin. Now you can see in the Beckett Theatre Friday through Sunday.
is not actually one, but three short works together from weak ties, and some passing references to the shared narrative resources. Each one responds or tries to answer three main questions, which are also three references to a whole. Why the State generates bureaucracy? Why art becomes business? Why religion becomes superstition? The answers are three stories. We will see how public employees become arsonists. Also how a family dinner conveys impassioned debate if somewhat trite, about the status of contemporary art. While the final illness of a baby during a stormy night unleashed the darkest thoughts about life and divine protection. Each scene has a different narrator off, "alien" to the system. A man trapped in a public agency, a Korean woman to share a holiday dinner, an ominous figure in the night. From the direction, Spregelburd is consistent with the intellectual pose fracture totalizing explanations. Well chosen for this work a series of theatrical means disgraced, as the manipulation of objects invisible-expensive exercise to initiation-acting and the theater of living, to which both realism abused in the past. Similarly deploy resources effectively from other arts such as imaging. Everything has the unmistakable stamp of Spregelburd. It is worth going to see it.
sheet:
With: Pablo Seijo / Monica Raiola / Alberto Suárez / Andrea Garrote / Rafael Spregelburd
Address: Rafael Spregelburd
Music: Zypce / Assistant director: Lalo Rotavería / Ignacio Bozzolo / Set and lighting: Santiago Badillo /
Assistant art director: Ignacio Bozzolo / Clothing: Julieta Alvarez / Photo: Nicholas Levin / Blu Mambore /
Video: John Schnitman / Agustín Mendilaharzu / Alejo Varistas / video postproduction: Alejo Varistas / video
DF : Rodrigo Bermudez / video assistance: Milo Schnitnman / additional photography video: Darío Feal / Cecilia Szalkowicz
Production: Corina Cruciani
"Everything" has been presented in the following theaters and festivals: Festival
FIND IX, Schaubühne, Berlin, Transteatral
Festival in March 2009, Prague, April 2009
Festival MAD Teatro Quirino, Rome, September 2010
Features: Fridays and Saturdays 23:00, Sundays 19:00
Duration: 2 hours
Locations: $ 50
Last function: Sunday November 28 THEATRE
BECKET Guardia Vieja 3556 / Booking: 4867 -5185
Argentino
published 1/11/2010 Time 
What we expect to find in a work of Rafael Spregelburd? The intricate plot, the virtuoso approach to complex issues, a solvent cast actors. Laugh by the petty battles of his characters and by the end, maybe they withstood a blow stoically, price to pay for allowing us to identify with the protagonists. Everything was just released, says the Company Patron Vazquez, a work very pompous and very simple. " Written especially for the Festival Digging deep and getting dirty on the occasion of the twentieth anniversary of the fall of the Wall, Everything is presented in Berlin. Now you can see in the Beckett Theatre Friday through Sunday.
is not actually one, but three short works together from weak ties, and some passing references to the shared narrative resources. Each one responds or tries to answer three main questions, which are also three references to a whole. Why the State generates bureaucracy? Why art becomes business? Why religion becomes superstition? The answers are three stories. We will see how public employees become arsonists. Also how a family dinner conveys impassioned debate if somewhat trite, about the status of contemporary art. While the final illness of a baby during a stormy night unleashed the darkest thoughts about life and divine protection. Each scene has a different narrator off, "alien" to the system. A man trapped in a public agency, a Korean woman to share a holiday dinner, an ominous figure in the night. From the direction, Spregelburd is consistent with the intellectual pose fracture totalizing explanations. Well chosen for this work a series of theatrical means disgraced, as the manipulation of objects invisible-expensive exercise to initiation-acting and the theater of living, to which both realism abused in the past. Similarly deploy resources effectively from other arts such as imaging. Everything has the unmistakable stamp of Spregelburd. It is worth going to see it.
sheet:
With: Pablo Seijo / Monica Raiola / Alberto Suárez / Andrea Garrote / Rafael Spregelburd
Address: Rafael Spregelburd
Music: Zypce / Assistant director: Lalo Rotavería / Ignacio Bozzolo / Set and lighting: Santiago Badillo /
Assistant art director: Ignacio Bozzolo / Clothing: Julieta Alvarez / Photo: Nicholas Levin / Blu Mambore /
Video: John Schnitman / Agustín Mendilaharzu / Alejo Varistas / video postproduction: Alejo Varistas / video
DF : Rodrigo Bermudez / video assistance: Milo Schnitnman / additional photography video: Darío Feal / Cecilia Szalkowicz
Production: Corina Cruciani
"Everything" has been presented in the following theaters and festivals: Festival
FIND IX, Schaubühne, Berlin, Transteatral
Festival in March 2009, Prague, April 2009
Festival MAD Teatro Quirino, Rome, September 2010
Features: Fridays and Saturdays 23:00, Sundays 19:00
Duration: 2 hours
Locations: $ 50
Last function: Sunday November 28 THEATRE
BECKET Guardia Vieja 3556 / Booking: 4867 -5185
Argentino
published 1/11/2010 Time
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