S I cultural confluence and reframing it-Integrated Circuit-Blog, who better to provide an overview of site MySpace.com as a benchmark of musical art-world network.
Born in August 2003 and raised in a short period of time (compared to the times of Modernity) by millions of users, MySpace is a true network up to the number of 59 million participants, at the beginning of Argentina Spring 07, well positioned currently in sixth place in the ranking of the most visited of all TripleDobleVe.
Mas Allas of the various types of services offered by the site profiles, we focus on the goals pursued by the musicians within the platform, the possibilities it offers them and in the kind of reciprocity that arise in the virtual community, which, undoubtedly, have already shattered the old standards of production, distribution and consumption of cultural musical market.
But first ...
From graph theory, social networks and of these, to virtual communities with their specific cybercultures ...
Qué intereses persiguen los artistas que deciden nodificarse y ser en este sitio?
En general, se trata de músicos independientes que ante circunstancias reales, como dificultades económicas para auto-producirse, portazos en la cara por parte de pequeñas y grandes editoriales musicales (ansiosas de beneficios) y absurdas exigencias de estandarización estética, encuentran en la blogosfera la posibilidad de abrir sus sonidos al planeta.
Eso por un lado, por otro, y más en particular, al tratarse de una verdadera democratización de la información , we found highly acclaimed stars manage their personal music blogs through record labels, fan clubs (would become unofficial blogs), personal representatives, or agencies in charge of his image.
In the immediate aftermath ... (which become free services directly from the site)
Registered users have support to upload songs in multiple formats, to embody (through HTML templates ) the appearance of the blog, upload images and videos as well as an instant messaging service and the possibility of a constant dynamic of "Adds" of others musicians, with which they develop mutual recognition. In this way, profiling the artist not only in cyberspace, multimedia presentations, but that this presence will require constant links to survive (being part of the community), as they are persuasive mechanisms that, subsequently, shall identify the amount of "Plays", or listen to songs, as a parameter determining the level of popularity and acceptance of art objects that inhabit the Space . (On this point, and in relation to those who own professionally edited materials, several record labels and test their acquired market information such )
Beyond internal graphs, it is necessary to emphasize the functional volatility that these forms of promotion can be purchased for the follower of the artist, who is who bears the decision on the type of effect who wants to be shaken , and while it may make a visit that Web 1.0, or so one way, you can also live with interactions characteristic of Web 2.0 that, in this case, ranging from: to become a MySpace (without necessarily being musician) to leave a message to your favorite artist, or to many "Plays" like in the songs, as well as a link on the links to the "Friends of musicians" appearing on the blog or find information regarding shows, new materials, websites, etc.
the consequences of non-mediate ...
Queen variability in the crosses that are made (as has already been mentioned) in the graph-community-cybercultures with continuous dynamics within the site. I give some examples from my personal experience, not by having a Space but also as a musician and keep in touch with musicians that if they do, I have seen and / or be a party directly and indirectly. They then fall into the similarities and / or transfers between human relations within the physical space virtual (mediated by machines / Sister. Operational etc) and relationships within the real physical space:
Case1: independent artists who are known within the community as friends of friends of other friends, we hear, are added in their MySpaces, Terms Contact , on a more personal yet, and to coordinate events, recordings or mixes of productions together.
Case2: reverse action Case 1. Artists who have a fluid relationship in certain everyday realities that stretch, and thus metamorphose on the influencing virtual platform, modifying and coloring the ride of the other types of directional interactions transfers and / or parallels, including Case 3, not yet described.
CaSO3: Artists who make contact within web, by some of the bifurcated paths that characterize it, and always a relationship within that area without ever face to face, or if they end up hitting, and probably a near or distant future. This case is directly defined by the additive time. Three
humble observations by way of illustration, of course, do not have any kind of formal logic and can be given as no.
Fin, recommending some of my favorite Spaces:
www.myspace.com / adrianmonzon
www.myspace.com / tatogarabato
www.myspace.com / sandracorizzo
www.myspace.com / pablogrinjot
www.myspace.com / georginahassan
www. myspace.com / jorgedrexler
www.myspace.com / lisandroaristimuño
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